{"id":2126,"date":"2017-01-25T19:52:15","date_gmt":"2017-01-25T18:52:15","guid":{"rendered":"http:\/\/zgodovinanadlani.si\/?p=2126"},"modified":"2018-02-04T15:02:14","modified_gmt":"2018-02-04T14:02:14","slug":"kulturne-sledi-manjsin-v-ljubljani-slobodan-pejic","status":"publish","type":"post","link":"https:\/\/zgodovinanadlani.si\/en\/kulturne-sledi-manjsin-v-ljubljani-slobodan-pejic\/","title":{"rendered":"Kulturne sledi manj\u0161in v Ljubljani: Slobodan Peji\u0107"},"content":{"rendered":"
<\/a>
Slobodan Peji\u0107, So\u017eitje. Foto: Danijel Osmanagi\u0107.<\/figcaption><\/figure>\n

Rubrika kulturne sledi manj\u0161in v Ljubljani opisuje osebnosti, ki so s svojim delom vplivali na razvoj Ljubljane na podro\u010dju kulture. Tokrat je na vrsti Slobodan Peji\u0107.<\/strong>
\n<\/p>\n

Peji\u0107 je bosanski slikar in kipar, ki je ve\u010dino svojega \u017eivljenja pre\u017eivel v Sloveniji. Rodil se je leta 1944 v vasici Balatun v bli\u017eini Bijeljine na severovzhodu BiH. Posebne zasluge za to, da se je razvil kot umetnik in, da se je iz njega izoblikoval imeniten kipar gredo avstrijskemu slikarju \u010de\u0161kega rodu Karlu Matzeku.<\/p>\n

Ta je \u017ee v mladem Peji\u0107u odkril izreden talent in postal njegov osebni mentor in u\u010ditelj, privzgojil pa mu je tudi posebno spo\u0161tovanje do sakralne umetnosti, saj sta mentor in u\u010denec skupaj poslikala precej cerkva in samostanov v Bosni (vsaj \u0161tiri) in Slavoniji (eno). Ta projekt je pozneje Peji\u0107 nadaljeval tudi sam. Poleg Matzeka so na Peji\u0107eva ustvarjanja vplivali tudi reka Drina in knji\u017eevna dela bosanskega pesnika in knji\u017eevnika Mehmedalije Maka Dizdarja.<\/p>\n

Matzek se je poro\u010dil s Slobodanovo materjo in tako postal njegov \u00bbnadomestni o\u010de\u00ab, saj pravega o\u010deta Peji\u0107 ni poznal. Leta 1958, ko je Peji\u0107 zaklju\u010deval osnovno \u0161olo, se je Matzek preselil v Avstralijo. Srednjo \u0161olo je Peji\u0107 nato nadaljeval v Bosni, \u0161tudiral pa je v Beogradu.<\/p>\n

Po zaklju\u010dku \u0161tudija se je sprva preselil v Nem\u010dijo, nato pa v Ljubljano, kjer se je vpisal na \u0161tudij novinarstva. V Ljubljani je \u017eivel do konca \u017eivljenja in je mnoga leta delal kot posebni dopisnik tiskovne agencije Tanjug za Slovenijo.<\/p>\n

Ljubljan\u010danom podaril umetnino<\/strong><\/h5>\n
<\/a>
Slobodan Peji\u0107, So\u017eitje. Foto: Danijel Osmanagi\u0107.<\/figcaption><\/figure>\n

V Sloveniji je najbolj znan po tem, da je leta 2000 Ljubljan\u010danom podaril umetni\u0161ko obdelani hrast, ki ga je poimenoval So\u017eitje. Z bronom je obdelal \u00bbtruplo\u00ab 300 let starega hrasta, ki je bil \u017ertev hudega neurja.<\/p>\n

Poleg Slovenije je ustvarjal in razstavljal \u0161e v drugih dr\u017eavah, predvsem v Bosni in Hercegovini, Srbiji in na Hrva\u0161kem. Njegove skulpture pa lahko najdemo tudi v Avstriji, Nem\u010diji, Veliki Britaniji in Avstraliji.<\/p>\n

Prizadet zaradi vojnih dogodkov<\/strong><\/h5>\n

Peji\u0107a so hudo prizadeli krvavi dogodki v Bosni v prvi polovici 90. let prej\u0161njega stoletja, saj je v tej vojni izgubil veliko prijateljev. Tekom vojne je ustvaril zbirko slik posve\u010denih Mostarskemu \u00bbmostu\u00ab, zbirko pa je kon\u010dal le teden dni pred njegovo ru\u0161itvijo.<\/p>\n

Leta 2006 je zbolel za smrtonosno boleznijo, a \u0161e naprej ustvarjal in razvil prav posebno kiparsko tehniko. To je poimenoval Veliki pok, v njej pa je, mesec dni pred smrtjo, dokon\u010dal tri skulpture. Pred smrtjo je napisal \u0161e knjigo o svojem ustvarjanju, ki je bila izdana posthumno leta 2007, saj je Peji\u0107 preminil avgusta leto prej.<\/p>","protected":false},"excerpt":{"rendered":"

Rubrika kulturne sledi manj\u0161in v Ljubljani opisuje osebnosti, ki so s svojim delom vplivali na razvoj Ljubljane na podro\u010dju kulture. 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